❦ Cleanth Brooks, "Heresy of Paraphrase," pp. 194-95, "a", "b": pattern, structure, unity

❦ Cleanth Brooks, "Keats's Sylvan Historian," p. 156: pattern-mining

➝ contrast first-generation New Criticism, e.g., John Crowe Ransom on "being" and Archibald MacLeish, "Ars Poetica"

❦ Franco Moretti, Graphs, Maps, Trees, p. 13

❦ Sir Thomas Wyatt, "They Flee From Me" (1557)

➝ PDF

➝ Example of TEI

➝ "Design"

❦ Drucker, Johanna.  The Visible Word: Experimental Typography and Modern Art, 1909-1923 (Chicago: University of Chicago Press, 1994)

❦ Drucker, Johanna, "The Virtual Codex from Page Space to E-space," A Companion to Digital Literary Studies, ed. Ray Siemens and Susan Schreibman (Malden, MA: Blackwell, 2007), 216-32; available online at <http://www.digitalhumanities.org/companion/DLS/>

❦ Drucker, Johanna, and Jerome McGann, "Images as the Text: Pictographs and Pictographic Logic," n.d., Institute for Advanced Technology in the Humanities, University of Virginia, retrieved 9 September 2006, <http://www.iath.virginia.edu/%7Ejjm2f/old/pictograph.html> 

❦ Roberto Busa, S.J. (and associates), Index Thomisticus (begun in 1946; web edition in 2005 by Eduardo Bernot and Enrique Alarcón)

➝"representation," "analysis," "interpretation," "criticism" (and "critique")

❦ John Guillory, "Genesis of the Media Concept," Critical Inquiry, 36.2 (2010): 321-62

➝"concord," "model," "perform," "deform," "play" ("mediate," "communicate")

Hyperpo